Giant Hogweed

Another one for the Adirondack Explorer. Giant hogweed is a very large (some over 20 feet tall), noxious cousin of Queen Anne's Lace.

Sea Shepherd

This was for the JAN/FEB issue of E Magazine. The article is about the Sea Shepherd (as seen on Animal Planet's Whale Wars), a group who uses some extreme measures to fight against illegal whaling. The wave in the image is based on a well known Japanese watercolor. The Sea Shepherd regularly goes up against Japanese whaling ships which are in violation of international whaling laws established to protect threatened or endangered species and prevent overfishing.

1. Sketch  2. Final art

This is the concept sketch I sent to the client. Normally, rough concepts are -- rough, but I was pretty confident that the idea would fly,  so I went to a tighter sketch that I could use as a guide for the final art.

Painted in Photoshop

Freshwater Sponges

Who knew? Evidently, freshwater sponges live in cold streams in the Adirondacks. Here's an illustration I did for the upcoming issue of Adirondack Explorer about the subject. The colors are very saturated and brighter than they appear in print. This is intentional so that on newsprint, the colors don't look too dull.
1. Sketch 2. Line art  3. Final art.

Concept sketch

Line art

Final art. Line art is scanned and color is added in Photoshop.

New Heinlein cover, just completed

Just finished this illustration for Full Cast Audio's edition of Robert A. Heinlein's Between Planets. The dragon in the background is self-named Sir Isaac Newton. He's a resident of Venus, and that device on his neck is a "voder" which translates his speech into other languages. That's Don in the foreground, the hero of the story. He's 17 or 18 and was born in space. He's stuck in the middle of an interplanetary battle.
Heinlein's character descriptions were un-characteristically vague in this book, so I had to do a lot of making stuff up. Making stuff up is fun, but I try to be accurate to the story, so I had to decipher a lot of little clues in the story to try to get a handle on how Heinlein envisioned the characters.

See the full illustration on my website click here

JR

Rod Walker, as Heinlein Intended

"The recent release of “Tunnel In the Sky” by Full Cast Audio brought an opportunity to to present the character of Rod Walker as Heinlein intended him to be–as a young, black man." —The Heinlein Prize Trust
Read the full article here


The original cover:

Some of the print covers for Tunnel (click to view larger):

New web site is up!

After way too long, I've finally revamped my website from the ground up. It's more streamlined, and much easier to update and navigate.

Check it out at: www.jerryrussell.com

Oops!!

So . . . I just finished this cover illustration for Full Cast Audio's recording of Tunnel in the Sky, by Robert A. Heinlein. I was pretty happy with the result. Certainly more pleased with it than some of the paperback covers I've seen for this title.



A few days after submitting the art to the publisher, we get this email from a fellow with the Heinlein Prize Trust, explaining that, although they are very pleased with the cover, there is one problem with it. The boy depicted, Rod, who is the book's main character, is supposed to be, wait for it. . .

black.

Well, the boy on my cover certainly is not. YIPE!

In my defense...
Heinlein never mentions in the story what Rod's race is, and the couple clues he did include were very subtle. In fact –- every other cover done for this story (and there are a lot), depicts a white boy -- or in cases where the illustrator evidently skimmed the text instead of reading the story (several), -- a white man.

I read the book. I recommend it highly!

The only real clue in the text -- and this only applies to a pre 1970's mindset -- is that the girl in the story that everyone assumes will eventually end up as Rod's girlfriend, is black. So, by 1955 YA publishing standards (when this story was written) Rod must certainly also be black.

It is entirely possible (even probable) that Heinlein specifically didn't call out Rod's race so that readers in the 50s -- naturally assuming that Rod was white because he was the main character--- would be shocked by his interest in a black girl. Or, they would be shocked by the fact that the main character was black. Either way, Heinlein makes his point about racism.

I wasn't shocked, either way. Although, I did think that it was pretty forward-thinking of Heinlein to write a black and white relationship into a 1950s novel. But then, Heinlein was a forward-thinking kind of guy.

Before I start working on sketches for a cover. . .
I read the book. I also look at other covers to see what's been done so I don't come up with something too close to an existing concept. The paperback I read showed a white boy on the cover, as did all the covers I found. So before I even started reading the story, my preconception was that Rod was white.

Damn it! I hate being so far off target, but Heilnein, you set me up!!

SO... I scurried and did some quick repainting on the cover to make Rod black, and shot it off in an email to Bruce Coville (owner of Full Cast Audio, and a pretty darned famous author to boot). Bruce loved it and forwarded it to the Heinlein Trust.


They are quite pleased with the change. We'll use the new cover on the second run. Since these are produced in short runs, there won't be too many "wrong" covers of mine floating around. Maybe they'll become collectors items!

click image for larger view